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The Sandlot

Jose Hernandez Diaz


I don’t remember exactly the first time I saw The Sandlot. It wasn’t in theaters. We didn’t go to theaters often as a family; frugal. We probably rented it from the local dollar video store. Yes, they actually had video stores back in the early 90’s. I remember being in awe of the movie, a summertime classic. It came out when I was roughly the same age as the kids in the movie. It was about my life, I thought. Except the kids in the movie played baseball. My friends and I played basketball. Similar to the movie, though, we didn’t play organized ball, or Little League, like the middle-class white kids. We played on the local asphalt playgrounds until sunset. Further, I admired the fact that Benny “The Jet” Rodriguez looked like me, he was brown like me. Did he speak Spanish at home, too? For once, someone who looked like me was on T.V., and they weren’t a gang member or criminal. The Sandlot crew were all just kids, though, exploring youth. That’s what I appreciated the most about the movie. Little did I know the real world comes at you fast. Anyway, anytime I see The Sandlot on T.V., as I’m skipping through the channels, I can’t help but remember those summer southern California nights of youth, watching The Sandlot with my brothers and friends, wishing I was Benny “The Jet.” Wishing I was part of their crew.

Jose Hernandez Diaz is a 2017 NEA Poetry Fellow. He is the author of The Fire Eater (Texas Review Press, 2020) Bad Mexican, Bad American (Acre Books, 2024) and The Parachutist (Sundress Publications, 2025). His work appears in The American Poetry Review, Border Crossing (CAN), Cincinnati Review, Circulo de Poesia (MEX), Gigantic Sequins, The Hooghly Review (IND), Huizache, The Iowa Review, The London Magazine (ENG), The Missouri Review, The Moth (IRE), The Nation, Poetry Magazine, Poetry Wales(UK), The Progressive, The Southern Review, TriQuarterly, The Yale Review, Witness, and in The Best American Nonrequired Reading. He teaches generative workshops for Hugo House, Lighthouse Writers Workshops, The Writer's Center, and elsewhere. He serves as a Poetry Mentor in The Adroit Journal Summer Mentorship Program.

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