Pastoral vs. Georgic
Ian Hall
“What separates a georgic from a pastoral
is work. In a georgic, there’s no denying
that work is being done.”
—Thomas Haddox
My head is a calm auburn church. There is sun-nuzzled wash on the line
outside the parsonage. Songbirds are heart on heart in the fatherly arms
of an alder, but those hosannas you hear are not
their ambiencing. It’s just the villeins absolutely obliged to their twilight
vespers. It is indeed the choicest shank
of the evening & these endearingly snub-nosed folk in cordwood
slippers & flaccid hats are not kissing
cousins to dysentery & scrofula. There is no high plight, & not a soul is going steady
with jeopardy. On the brambled verandas—sipping lemon cordial, dandelion
& burdock—the gentry are of even temper. Their savorsome inhaling is not
troubled by the downwind cheddar of abattoirs or cattle in deep
earthturning heat. Upholstered in the humid oblique
of night coming on, they don’t pay any care to their tenants
hoofing home. & what of those swagbacked Atlases, shouldering
the whole? The ebb of their talk is so wormbent it’s loveable, like a little boy sorely
missing his front teeth. They are in peak spirits, pudgegutted, pinky-nailing
the comeuppance out from between their own
like it’s daily bread. It might edge off chill, but that doesn’t matter—they’re shawled
in contentment. Their feet in clogs are brute as pumice, but they’re still moving
buoyant through the night. & it is complete & final black, but they are not
itinerant in this dark. Raw grace enunciates their going. These mudhusbanders, they know
there’s no cause to doggone their betters. After all, this flesh is something
we’re only pilgrim to.
——
I am half-batty to be among them. Maybe if I say it, it’s so. I am there. I am there
in star-crossed tandem with the least of them. & I would be grateful to forever
midwife a plow through unversed dirt—to just go on breaking
fetal ground—or wear like a sumptuous doublet
an armload of bees from the hives of my seigneur. Yes, that is an era & age I’d be
merry to happen into. Regardless, I’ll tell you where I’m not:
I’m not up to my wishbones in this dishwater
dawn, trying to shepherd with spade & prybar a D-8 bulldozer
back into flock on this mountainside
slathered in disagreeable weather. My old man does not look like a cosmonaut
in his blowtorch gown. He is not strapped haplessly into the cockpit
of capital, trying to rile the starter. The rank tension of jobs undone & an afloat
mortgage isn’t warbling his neck, shuffling his jowls, like he just entered
orbit. He didn’t just bawl me out, both barrels, for sagging the flashlight. & surely I am
not so soft-witted that I still offer my neophyte advice. He doesn’t have to keep
saying I’m shearing this goat, you just hold its head—which can be digested as enough
musing out of you. & at dusk, we won’t slink home, refuge
from success, in the same gruel-light. We won’t be so hangdog ashamed
that we scald the work off before quaking the threshold; we will not blight ourselves
to the elbow with lye. & unlike something in the back room
of a bad dream, my granddad will not be there swapping skin
for recliner felt. He is not in breakneck wilt, too much popcorn
lung to fog a mirror, & I won’t have to take shiving drags off a Winston
& pipe the smoke down the swollen ductwork of his throat. My father doesn’t steer
clear of us like an EPA edict. We are not just cellmates in this singlewide. &
nobody, not a blessed one of us, will risk a glance at the competition
grade skeet-gun mounted above the furnace
above all else.
Ian Hall was born & reared in Eastern Kentucky. His work is featured in Narrative, The Journal, Mississippi Review, and The Southeast Review, among others.